Portrait of Cecilia Gallerani holding a weasel. This proud, muscular little fellow seems just as important to the portrait as the lady. This painting is known as Lady with an Ermine by Leonardo da Vinci, 1489-91.

Lady with an Ermine

Well …weasel, ermine, ferret, marten, mink, sable, they all belong to the weasel family. So here, I’m calling this guy (and all his cousins) weasels.

Here we have Lucina Brembati, and her no-longer-living yet ferocious-looking weasel on a chain. 1518, by Lorenzo Lotto.

Weasels and Reproduction

In the late 15th century when Lady with an Ermine was painted, weasels had a lot of symbolism attached to them – and they were especially associated with having babies. They could help a woman get pregnant, protect her unborn child, and insure a smooth delivery. They were quite the multipurpose creatures for procreation. 

At the time of the da Vinci portrait, we know that his young subject, Cecilia Gallerani was pregnant, so the weasel was probably providing protection for her baby. But in this particular case, this weasel might have had even more significance. 

Portrait of a Young Woman and a close-up of her over-the-shoulder weasel pelt which has a chain attached to its mouth. 1525 by Parmigianino.

A Significant Symbol

Some think the weasel in da Vinci’s painting was a play on words with Cecilia’s last name. Her surname was Gallerani and the Greek word for the animal is ‘gallay’, and da Vinci had been known to make such connections in his paintings before. 

Additionally, it could have been a reference to her lover who commissioned the painting. He was Ludovico Sforza, and his nickname was ‘l’Ermellino’ or little ermine because of being awarded the Order of the Ermine by the King of Naples. So the little white weasel in the da Vinci painting was full of symbolism. (That must be why he looks so stout.)

Ladies with Weasels Are all the Fashion

 Lady with the Ermine might have been the earliest painting of a lady with a weasel, but it certainly wasn’t the last. In the 1500s weasels became a must-have accessory for any fashionable female who was pregnant or hoping to be.

Portrait of Queen Elizabeth I, c. 1585 and a close-up of her not-so-realistic-looking weasel. In this case, the white weasel sitting on the Queen’s sleeve symbolizes her purity and royalty – it’s even wearing a little crown around its neck and raising its right hand to mimic her.

Purity and Weasels

Not only were weasels fertility-inducing fashion accessories, but in the winter, when their coats turned white, they represented purity. Myth said that a white weasel would rather face death than to get its lovely snow-white coat dirty. So the white weasel fur came to represent chastity, virtue, and nobility. This made them popular subjects for wedding portraits, representing the bride’s purity and the hope of many children.

Unfortunately for the weasels, ladies who wanted to have babies or show off their purity weren’t really into carrying around or wearing live weasels. So the poor little critters had to give their lives for fashion.

Portrait of a Lady with her no-longer-living weasel (zibellino) in her hand. He is baring his teeth and has a chain around his neck. By Bernardino Luini, 1520/1525.

Zibellini

Ladies began to be painted holding the pelt of a weasel (with head and feet attached to give it a realistic look). These were called zibellini (plural) or zibellino (singular). At first, these were left in a natural state, but later, they were lavishly decorated. The heads (and sometimes the feet) would be covered in gold and encrusted with gems.

They could get very ornate, like the one that was listed in Henry VIII’s inventory of 1547: It was described as having a gold head containing a clock, a gold collar set with four diamonds and four rubies, two pearls hanging at the ears, and two rubies in the eyes. Its feet were also gold, and the claws were sapphires.

This zibellino from the Walters Art Museum dates from 1550-1559 and was fashioned by a Venetian artist. It’s covered in gold with enamel, rubies, garnets, and pearls decorating it. Source

A Luxury Fur

These luxurious, symbolic furs might be worn draped over the shoulder, carried in the hand, or worn on a belt. Sometimes they were attached by a chain around the zibellino’s neck or to its mouth. Just like today, furs were considered a luxury item and coveted by the wealthy to show their status and power. 

This Unknown Lady is holding a very ornate gold and jewel encrusted weasel pelt. When wearing a dress like that, you would definitely carry your fancy weasel. Circa 1595, attributed to William Segar.

Attractor of Fleas 

One theory, proposed in the 19th century, described the zibellini as ‘flea pelts, and it speculated that the user carried the weasel pelt so the fleas would be attracted to it and not the person. However, there does not appear to be any evidence of this in earlier records, so we are sticking with the idea of the fertility/purity symbolism.

Why Were Weasels Associated with Fertility?

It might seem odd to associate weasels with fertility, but it has to do with an ancient belief that weasels conceived and gave birth in a strange, almost supernatural way. It was thought that they conceived through their ears… and gave birth through their mouths – or sometimes, the other way around. Either way, it’s pretty weird!

Countess Livia da Porto Thiene has her weasel pelt draped over her arm. It’s fitted with a gold head and chain. By Paolo Veronese 1552.

Hercules and a Weasel

The birth of Hercules is also associated with a weasel. Zeus had gotten a human woman pregnant, and when his wife found out, she was not amused. When the mortal woman went into labor, Zeus’ wife sent her daughter (the goddess of birth) to prevent the child being born. 

However, the midwife, Galinthias, came to the rescue. She tricked the goddess and Hercules was born. The midwife paid the price though, as she was turned into a weasel and had to give birth through her mouth (or ear). 

Bianca Ponzoni Anguissola, and her zibellino with an ornate golden head attached to a chain around her waist. 1557 by Sofonisba Anguissola.

Who knew there were so many weasels in Renaissance portraiture?

A Book You Might Like:

The Greatest Nobodies of History: Minor Characters from Major Moments by Adrian Bliss

This is a funny book and it has a chapter written from the perspective of the “ferret” in the da Vinci painting discussed here. I loved it.

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4 responses to “Women with Weasels in Renaissance Art”

  1. Amazing! So you see that every period has its own particularity.
    Thank you for sharing this, Margo.
    Kind regards,
    Louis Donders

    1. Thanks, Louis,
      I guess that is just fashion. Wearing furs with heads and feet looked good in the 1500s and then it actually came back in style in the 1930s and 40s when people wore fox and minks with heads. :-0
      Kind regards,
      Margo

  2. I love this Margo. It amazes me they chose this little animal. Their fur is lovely, and soft and warm; so great to be made into garments or accessories to keep warm in their big draughty houses. And I guess they breed like rabbits (!) hence the belief in their value to encourage reproduction. However they are not particularly nice looking (a rabbit looks better!) so it is curious that they were a decorative object. It is also interesting that in some depictions the dead animal was on a chain – perhaps this was a symbol of the woman’s subservient role in renaissance society. I love the interesting things your curiosity leads you to investigate. Thank you for sharing them.
    Best Wishes, Paula

    1. Thanks, Paula. I agree that these are not the nicest looking animals – especially when they are baring their sharp teeth. And it seems such a contrast to the elegant dresses they wore.

      The chain idea is really interesting. I hadn’t noticed, but now that you mention it, almost all the women have a chain around their neck or around their waist. The ones around the waist are attached to the weasel, and the ones around the neck might be as well, but it is hard to tell. The ones with the chain necklaces are usually touching or pointing to the chain at their neck and the weasel’s chain. It seems like there is more to the chain… something to look into. 🙂
      All the best, -Margo

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