Today, most Christmas cards are digital, opened with a click. But when I was young, they arrived in the mail. After opening them, we’d line them along the mantle, their cozy winter images in red and green adding to the holiday décor.

A frog dancing with a beetle with other insects around.
May Christmas be merry – A dancing frog and insects wishing you a merry Christmas.

Now, imagine opening a card and being greeted by a frog dancing with a beetle, a procession of birds carrying lighted matches, or pigs circling a giant pig-faced snowman. What on earth were the Victorians thinking? And how does this relate to Christmas?

A mouse riding on a lobster.
Paix, Joie, Sante, Bonheur (Peace, Joy, Health, Happiness) – This is a playful, slightly absurd example of Victorian eccentricity. It’s designed to amuse and convey goodwill in a very memorable way.

The Strange World of Victorian Cards

Historians and collectors call these unusual cards “grotesque” or “absurd.” In Victorian terms, “grotesque” didn’t mean ugly or scary – it meant odd, exaggerated, or humorous. “Absurd” captured the playful humor found on these cards.

A procession of little birds carrying lighted matches under their wings.
May all jollity “lighten” your Christmas hours.

Why are they so weird?

The Victorians had a very different idea of holiday cheer. Early Christmas cards weren’t meant to bring comfort and joy. They were meant to be memorable and funny – even if some of the humor is lost on us today.

But memorable? What could be more memorable than a mouse riding on a lobster or people dressed in Victorian fashion with rooster heads having fun in the snow?

Here’s a crow for Christmas – Obviously a Victorian man and woman with poultry heads sledding down a hill… But why? 

For example, if the folks on the above card had normal heads, this would be a nostalgic scene that would fit right into a modern Christmas. To the Victorians, this was a visual pun: To “crow” was to boast or celebrate, so these well-dressed sledders are given poultry heads to illustrate the expression. Basically, it’s saying: “Here’s something to crow about.” It’s absurd, cheerfully smug, and far from cozy sweetness.

A monkey painting a portrait of a dog.
Nothing says “Compliments of the Season” like a monkey painting a portrait of a dog while some other animal peeks around the corner.
Four frogs who have fallen down while ice skating.
This upturned-frog Christmas card (probably for children) brings us a moral: A hearty Christmas greeting. Four jovial froggies a skating would go; They had asked their mamma, but she’d sternly said, “No!” And they all came to grief in a beautiful row; There’s a sweet Christmas moral for one not too slow! Just go! (“Just go” is a Victorian encouragement similar to: “Go on, you can figure it out!”)

Animals behaving like humans were all the rage

Animals behaving like humans were a staple of Victorian Christmas cards. Foxes serving Christmas dinner, monkeys painting dog portraits, dogs reading newspapers.. These playful scenes often poked fun at human behavior and conveyed good wishes with a wink.

On Christmas cards, animals frequently represented people, turning holiday greetings into visual jokes that Victorian viewers would have understood and found amusing.

A dog in a sportsman's hat reading a newspaper.
A joyful Christmas to you. A dog wearing a sportsman’s cap and reading “The Sportsman” newspaper – just like a real sportsman. 
An owl leading a procession. After him is a fox carrying a cooked turkey dinner. Then comes a fox carrying a large fork and knife. One other fox follows.
This troupe has come, without a question, to wish to you a good digestion, And to this lot of dainty dishes I add the best of Christmas wishes. 

Christmas wasn’t always warm and cozy

Our modern Christmas emphasizes warmth, family, and comfort, but historically, Christmas celebrations had been rowdy and chaotic. The Victorian absurd Christmas cards, showing animals behaving like people, echoed those older traditions of role reversal and topsy-turvy holiday fun. They were a visual signal of a brief, seasonal moment when normal order was cheerfully turned upside down.

A man drops his umbrella as he sees a snowman hiding and holding a club.
A Jolly Christmas – This snowman with a club looks like quite a threatening way to wish someone a jolly Christmas. 

And what about those spooky snowmen?

The Victorians liked contrast; They liked pairing jolly greetings with danger. And Victorian snowmen were dangerous – not the nice, friendly “Frosty the Snowman” type. They actually represented the harsh winter season – and winter was a dangerous time. It could bring illness, slips, falls, frostbite, and even death. So, I think a jolly greeting on an image of a dangerous situation might be a way of saying: “Take care of yourself this holiday season.”

Snowman out in the sleet with an umbrella.
A Merry Christmas – Another spooky snowman – this one isn’t just snow, it looks like he’s covered in sleet, and his umbrella isn’t going to protect him. It might be another warning to be careful. You need more protection than just an umbrella if you want to have a merry Christmas.

Lost jokes and forgotten references

Many Victorian Christmas cards might have related to current events, popular songs, political jokes, slang, or visual puns that are now lost on us. For us modern folk, without that cultural context, these Victorian cards just seem odd and definitely un-Christmassy.

A group of pigs holding hands and dancing around a pig snowman.
Merry Christmas Greetings – Pigs dancing around a big, grinning snowpig. To the Victorians, pigs symbolized abundance, feasting, and a bit of holiday excess, making them ideal symbols of Christmas cheer. 
A dead little bird laying on its back.
This card says: May yours be a Joyful Christmas. Surprisingly (to us), dead birds were a very common Christmas card theme. Again, it was showing the harshness of the season, as well as being a reminder to show compassion to others – humans and animals. It means: “May you be joyful – and mindful of those who are not.”

From Absurdity to Sentiment

By the early 20th century, tastes had shifted toward sentimental, religious, or picturesque cards. As the culture settled on a more sentimental version of the holiday, the weirder cards began to fade away.

A Christmas pudding with a smiling face has wine bottles for legs and a glass of milk on a saucer for a hat.
A Merry Christmas from your Christmas pudding with a face. Here, instead of animals representing humans, it’s a dessert. It’s been made into human form with wine-bottle legs, a saucer and glass of milk for a hat, and knife and fork stuck into its chin. (fun? Or spooky?)

The legacy of Victorian weirdness

Victorian Christmas cards were playful and mischievous. With animals behaving like humans and warm, holiday sentiments paired with absurd or dangerous images, they remind us that the past was often far more curious and delightfully weird than we might have expected.

NOTE: The Victorians also sent equally weird Valentines cards which you can read about here: Vinegar Valentines

What do you think? Have you ever received a really weird card? Let me know in the comments section below. And if you want to read more of my curious histories, subscribe to my blog (at the top or bottom of this page).

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Margo Lestz

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